Nik Software Color Efex Pro filters are the leading photographic filters for digital photography. The award-winning Color Efex Pro filters are widely used by many of today's professional photographers around the world to save time and get professional level results. Whether you choose the Complete Edition, Select, or Standard Edition, you get traditional and stylizing filters that offer virtually endless possibilities to enhance and transform images quickly and easily. Patented U Point technology provides the ultimate control to selectively apply enhancements without the need for any complicated masks, layers or selections. Control color, light and tonality in your images and create unique enhancements with professional results. With 52 filters and over 250 effects found in Color Efex Pro you can perform high quality retouching, color correction and endless creative enhancements to your photographs. Updates to old favorites such as Classical Soft Focus, Darken/Lighten Center, and Vignette filters are joined by exciting new filters Bleach Bypass, Cross Balance, Film Effects, Film Grain, Glamour Glow, High Key, Low Key, Polaroid Transfer, and Tonal Enhancer, and more. The result is nothing less than the most complete, most useful collection of photographic filters you can add to your toolkit.

The leading photographic filters for digital photography! The award-winning Color Efex Pro filters are widely used by many of today's professional photographers around the world to save time and get professional level results. Whether you choose the Complete Edition, Select, or Standard Edition, you’ll get traditional and stylizing filters that offer virtually endless possibilities to enhance and transform images quickly and easily.

In Premiere Pro: Color Correction and Enhancement, Adobe Certified Instructor Jeff Sengstack streamlines the color-correction workflow and provides practical methods for improving the color and tonality of footage in post-production. The course details basic color-correction concepts, addresses colorcasts and exposure errors, and shows how to match color among multiple clips. The course also covers secondary correction techniques, such as limiting tonality and color modifications to specific portions of a clip with track mattes, and shows how to create stylized looks by tinting footage, incorporating gradients and vignettes, and using the Magic Bullet Looks plug-in. Exercise files accompany the course.

Based on the device-independent CIE specification from 1976, Lab color is frequently misrepresented as a techy, labor-intensive color space. In fact, Lab color performs certain types of color modifications more quickly and with better results than RGB. In Photoshop CS3 Mastering Lab Color, Deke McClelland explores how to use Lab color "to make bad photographs great and great photographs even better." He demonstrates image manipulations that are best suited to Lab, and walks through a typical, non-destructive Lab correction. Deke also shows how to correct lighting, apply selective color modifications, and reverse the effects of color cast. Exercise files accompany the course.

In this DVD, Carl Grace goes from basic to advanced techniques for how to use color in a tattoo. With over four hours of detailed footage and discussion, Carl explains his step-by-step process of applying color to the skin. He introduces warms and cools, different tones and values of color, and how to layer and blend to create a nice, clean piece, as well as how to create focus in your composition. Machine and needle set-up and stencil application are also discussed. Whether you are a seasoned professional looking for new ways to incorporate color, or a beginner wanting to challenge yourself with color layering and blending techniques, this DVD is the perfect tool to help you learn the correct methods to achieve a painterly, full-color tattoo.

Color Magazine showcases those who inspire us in all aspects and possibilities of skateboard culture. Color provides a timeless product that features the lives they live and illustrates the pride we share for a culture sprouted from a plank on four wheels.

Based on the device-independent CIE specification from 1976, Lab color is frequently misrepresented as a techy, labor-intensive color space. In fact, Lab color performs certain types of color modifications more quickly and with better results than RGB. In Photoshop CS3 Mastering Lab Color, Deke McClelland explores how to use Lab color "to make bad photographs great and great photographs even better." He demonstrates image manipulations that are best suited to Lab, and walks through a typical, non-destructive Lab correction. Deke also shows how to correct lighting, apply selective color modifications, and reverse the effects of color cast. Exercise files accompany the course.

In Photoshop for Designers: Color, Nigel French focuses on the tools and features in Photoshop designed for choosing, applying, and editing color. The course looks at concepts such as the color wheel and color harmonies as well as the practicalities of using the Color Picker, leveraging the power of color channels, and the characteristics of different color modes in Photoshop. The course includes exercises on correcting color, enhancing color, shifting and replacing colors, working with spot color channels, hand coloring black and white images, and designing with a reduced color palette. Exercise files are included with the course.

The new edition of this full-color atlas presents nearly 900 images from one of the largest and busiest trauma centers in North America. The images bring the reader to the bedside of patients with the full spectrum of common and uncommon traumatic injuries including motor vehicle accidents, falls, lacerations, burns, impalements, stabbings and gunshot wounds. The clinical, operative and autopsy photographs; x-ray, ultrasound, magnetic resonance imaging and angiography radiographs; and original illustrations depicting injury patterns will help guide clinicians in recognizing, prioritizing and managing trauma patients.

Color Magazine showcases those who inspire us in all aspects and possibilities of skateboard culture. Color provides a timeless product that features the lives they live and illustrates the pride we share for a culture sprouted from a plank on four wheels.

Color Magazine showcases those who inspire us in all aspects and possibilities of skateboard culture. Color provides a timeless product that features the lives they live and illustrates the pride we share for a culture sprouted from a plank on four wheels.

In Premiere Pro: Color Correction and Enhancement, Adobe Certified Instructor Jeff Sengstack streamlines the color-correction workflow and provides practical methods for improving the color and tonality of footage in post-production. The course details basic color-correction concepts, addresses colorcasts and exposure errors, and shows how to match color among multiple clips. The course also covers secondary correction techniques, such as limiting tonality and color modifications to specific portions of a clip with track mattes, and shows how to create stylized looks by tinting footage, incorporating gradients and vignettes, and using the Magic Bullet Looks plug-in. Exercise files accompany the course.

Based on the device-independent CIE specification from 1976, Lab color is frequently misrepresented as a techy, labor-intensive color space. In fact, Lab color performs certain types of color modifications more quickly and with better results than RGB. In Photoshop CS3 Mastering Lab Color, Deke McClelland explores how to use Lab color "to make bad photographs great and great photographs even better." He demonstrates image manipulations that are best suited to Lab, and walks through a typical, non-destructive Lab correction. Deke also shows how to correct lighting, apply selective color modifications, and reverse the effects of color cast. Exercise files accompany the course.

Based on the device-independent CIE specification from 1976, Lab color is frequently misrepresented as a techy, labor-intensive color space. In fact, Lab color performs certain types of color modifications more quickly and with better results than RGB. In Photoshop CS3 Mastering Lab Color, Deke McClelland explores how to use Lab color "to make bad photographs great and great photographs even better." He demonstrates image manipulations that are best suited to Lab, and walks through a typical, non-destructive Lab correction. Deke also shows how to correct lighting, apply selective color modifications, and reverse the effects of color cast. Exercise files accompany the course.

Color Magazine showcases those who inspire us in all aspects and possibilities of skateboard culture. Color provides a timeless product that features the lives they live and illustrates the pride we share for a culture sprouted from a plank on four wheels.

Color Magazine showcases those who inspire us in all aspects and possibilities of skateboard culture. Color provides a timeless product that features the lives they live and illustrates the pride we share for a culture sprouted from a plank on four wheels.

Color Magazine showcases those who inspire us in all aspects and possibilities of skateboard culture. Color provides a timeless product that features the lives they live and illustrates the pride we share for a culture sprouted from a plank on four wheels.

Color Magazine showcases those who inspire us in all aspects and possibilities of skateboard culture. Color provides a timeless product that features the lives they live and illustrates the pride we share for a culture sprouted from a plank on four wheels.

In Photoshop for Designers: Color, Nigel French focuses on the tools and features in Photoshop designed for choosing, applying, and editing color. The course looks at concepts such as the color wheel and color harmonies as well as the practicalities of using the Color Picker, leveraging the power of color channels, and the characteristics of different color modes in Photoshop. The course includes exercises on correcting color, enhancing color, shifting and replacing colors, working with spot color channels, hand coloring black and white images, and designing with a reduced color palette. Exercise files are included with the course.

In Photoshop for Designers: Color, Nigel French focuses on the tools and features in Photoshop designed for choosing, applying, and editing color. The course looks at concepts such as the color wheel and color harmonies as well as the practicalities of using the Color Picker, leveraging the power of color channels, and the characteristics of different color modes in Photoshop. The course includes exercises on correcting color, enhancing color, shifting and replacing colors, working with spot color channels, hand coloring black and white images, and designing with a reduced color palette. Exercise files are included with the course.

Color Magazine showcases those who inspire us in all aspects and possibilities of skateboard culture. Color provides a timeless product that features the lives they live and illustrates the pride we share for a culture sprouted from a plank on four wheels.